The new museum for the Nationalgalerie's collection of twentieth-century art completes Berlin's Kulturforum. It stands on the last open site of the ensemble, between Mies van der Rohe's Neue Nationalgalerie, Hans Scharoun's Philharmonie and the Church of St. Matthew.

Under a single wide pitched roof, with façades of open brickwork, the building is conceived as a covered piece of the city. Two passages cross inside it and connect it to the streets and squares on every side, so that art is met on the building's edges as much as in its galleries. Beside the Nationalgalerie's holdings it will show the Marx, Pietzsch and Marzona collections, and a tunnel links it underground to the Neue Nationalgalerie.

A new residential quarter on the site of a former electrical converter station between Gebersdorfer Straße and Bibertstraße in Nuremberg. Besides housing, the brief called for a daycare centre, senior apartments and a neighbourhood grocery store.

The winning scheme lines up terraced houses along a green promenade that crosses the site, with play lawns, a playground and an oval daycare pavilion along its length. Four-storey apartment buildings face Gebersdorfer Straße and shelter the quarter from traffic, while the senior housing, the grocery store and a café frame a small square. A forest path follows the western edge, and a wildflower meadow doubles as rainwater storage.

A competition entry for Egypt's national pavilion at the 2016 Venice Architecture Biennale. The pavilion is a passage through three phases of Egypt. The past, where visitors read about Egypt's architecture and its architects. The present: Egypt in 2016, in the middle of a turbulent time, as a labyrinth of dimly lit spaces and images of the suffering Egyptians had grown used to. And the future, Elysium: the bright room the passage finally leads to, where a large physical model of the city has an empty part on the map, and visitors use augmented reality to build Egypt's future.

The design for that future unfolds in three phases. The first keeps the architecture of the existing city, with more green and public space. The second follows the city's main axes: buildings rise taller along them, and where they stay low, they make room for more green space. The third is a business district, to strengthen the city's chances of becoming a financial capital of North Africa and the Middle East.

Extended Threads joins a philosophical reading of architecture with technology. It takes apart what architecture means, who builds, where and how, and puts it back together as a game. It is an inquiry into where architecture ends and design begins, stripping architecture down and dismantling it back to single syllables. Its result is a tool for building vernacularly, without professionally trained architects.

In a gesture-based video game played in virtual reality, players use their hands to control robots at a distance. The robots build by sintering, fusing loose material layer by layer into solid form, across a lunar landscape. The game runs on a computer and on a phone in a VR headset, and many players can build together from anywhere.